The River From My Mouth: Poems
In Karla Van Vliet’s poems I find a tender merging of nature’s fragility and the inner strength of her own desire to find meaning in the realm of the Divine. Through a romantic search for union with the Beloved the poems trill in erotic anticipation of the fulfillment. Van Vliet’s poems are sensual, mysterious, lustrous and sublime.
Christa Lancaster, Co-Founder of North of Eden
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To see a video of Karla reading from her book, go here:
http://www.northofeden.com/videos/karla-van-vliet-reading-river-my-mouth
About the Book:
The lyrical poems in Karla Van Vliet's The River From My Mouth run like a river, swirling eddies around recurring images and themes, pushing against the edges of the banks that contain it. And, at the same time, moves forward, following the natural rule of water. It is made up of six sections each starting with a poem addressing how word(s), water, and the body are in relationship to each other in the speaker's identity and voice. This initial poem is followed by poems that traverse the physiological development within the speaker. Each cycle pushes into a place of greater understanding, in love, in healing, tracing the speaker's loss of love and recovery from that loss.
From The River From My Mouth: Poems
Iris Open
Irises open their tight blue hearts
in a day, this is how I remember it,
the dark of birth unbolts.
Like thunder-clouds or starlings.
Breaking into air.
This is how the heart breaks,
not into pieces, but blue tongues.
A kind of grace
in this disregarding world.
Blue tongues, and at their center,
a yellow star.
More Praise for The River From My Mouth
There has never been a time that I have not been a fan of Karla Van Vliet’s extraordinary poetry. To me it portrays the dark mystery of the psyche’s quest for itself. It carries the haunting yearnings that touch deeply into my own journey.
Marc Bregman, Co-Founder of North of Eden
“Song emerges from what must live,” Karla Van Vliet writes in one of the precise, sculpted poems that comprise this collection—and then, with such a strong, clear voice, she offers the very music of that survival. Listen carefully to this book, and you will hear what it so generously reveals: the “word made of the body.” These are poems that speak “loss fluently”—the loss of home, of love, of self—but in their very expression they offer a means of return and reclamation.
Karin Gottshall, Author of award winning Crocus
Located in a minimalist’s pastoral, excised of all but the basest of nouns, and scored by plaintive birdsong, Karla Van Vliet’s poems skitter and soar with a tentative elegance, alighting on topics ranging from religious faith, to carnal lust, to the shortcomings of language. “There are two ways to live in the world,” Van Vliet states. “Walk the fields collecting dashes of color in my sweaty fist, or dig, dig the hole I will bury the hunched back of my body in.” These poems offer an aerial perspective of the crossroad—they migrate bravely through adversity, and teach the reader to “bear the throat’s breath, the shiver of leaves made strange by meaning.”
Paige Ackerson-Kiely, Author of award winning In No One’s Land
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About the Author
Karla Van Vliet, poet, artist, and Archetypal Dreamwork Therapist, lives in the land she loves and from which the imagery of her language emerges, the Champlain Valley of Vermont. Van Vliet received her MFA in Poetry from Vermont College. She has published poems in Painted Bride Quarterly, Poet Lore, The Dry Creek Review, and Many Mountains Moving, among other journals. She is a recipient of a Vermont Arts Endowment Fund Grant.
